Our speaker raised the question of how
to interpret “Through the Looking Glass”, when it is appropriate
to use other texts to “read” the work. She gave an example of
Dodgson's (Carrol's) exploration of the concept of death as
nothingness, “blinking out of existence.” The fact that the
author seems to have contemplated this kind of death despite his
religion and persona may be reason enough to step back from the task
of guessing at authorial intention. and invoke the “Death of the
Author” (fittingly enough) to say that “Through the Looking
Glass” is “written each time it is read, seen through the lens of
the reader's experience. Dodgson was not fully aware of the
implications and subtexts of his work, as finely tuned and crafted as
it may be. The subconscious ideas humming under the surface level of
his thoughts invariably breaks through. I think it makes sense, and
is certainly important for historical accuracy, to read “Through
the Looking Glass” through the lens of prior works and the cultural
context in which Dodgson lived, but I also think it makes sense to
read it through the lens of works that have come since, and the
lenses of myriad cultural contexts, and go at it with everything that
exists in our “frame” of identity and experience. This is a
daunting and vague sounding task, but when I really read a work, I
can only truly read it with my eyes, no matter how diligently I try
to remove myself and step out of my frame to see through another
lens, The preceding post has some examples of modern interpretations
of, and distant cousins to the Alice stories that have colored my
reading of them.
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